BeDRoC Collective

Educate. Create. Celebrate. Connect the Dots…


Jimi’s fireplace

Jimi’s Fireplace

Jimi Hendrix’s legendary performance during which he lit on fire while performing on stage in London in 1967. Looking to make a name for himself, while living and playing in London, Hendrix lit the Fender Strat on fire, only to burn himself while performing the stunt during the song "Wild Thing". Hendrix was taken to the hospital, but not before he told the venue’s roadies to retrieve the guitar. The rest is rock history.

“Move over Rover, and let Jimi take over.”

Jimi Hendrix

is still sitting on lyrics in the back of Vie’s Chicken & Steak at 209 Union Street,
sacrificing the beasts of the earth for a plate of soul food:
freshly baked homestyle biscuits so good they keep the beat of your song
while blending in with the melody,
cornbread contemplating creative control as it provides food for your soul,
an entourage of sirloins play incendiary thrills on southern grills
hot sauce pyrotechnics make red giants bleed in salutation
while groupies of fries pile on to the side,
garlic provides security detail to keep the vamps away,
an entourage of peas, mushrooms and onions pay extra to get back stage
filling the shack with the aroma of afro-peripheralism at play
Pacific Northwest of the center stage – heroic blaze.
Back in the day, Buster the soldier boy might say:

“Old Mother Hubbard went to the cupboard to get her poor dog a bone,
but as she bent over, ol’ Rover drove her, because he had a bone of his own.”

In 1970 Jimi has bones to pick in London hotel rooms,
the Queen consents to have her contract extended like an off ramp
destroying Nora’s square mile, her grandchild and his girlfriend Betty Jean
forcing families into blockbusting exile and project housing
admistrative arson and capital zoning
Children v. Profit
there is unrest undermining urban renewal in war.

Justice only exists in an invisible world of 353 degrees of infrared to ultraviolet light
which Jimi can clearly see
in the rain
at night
even though he can’t see his mom
when he comes in from the cold
and plants a kiss from burnt lips
into her cup
taking each sip of wisdom into mantra
like an anthem
dropping bombs bursting deadlier than agent orange napalm
electric alchemy
gold to platinum.

Wanted: dead or alive
the green of greed, gambling and envy
is a plane crash waiting to happen
mid-air collision
star spangled disaster
indigenous rocks are rare in this hazy atmosphere.
How were you to know there was a price on your head?

Original Afro Samurai
they took your number one headband
traded it with the devil at the crossroads
for some sleeping pills and poison wine
flipped the story and strung you out like you played yourself.

You will not rest in peace,
it is too hot where you are
gifted with Grandma’s fashion sense,
you left in ‘68 strumming a flipped and restrung guitar.

“I too am Rock & Roll,” was your flaming epitaph smashed on stage
an epic wreckage of genius and rage

“Now dig this baby,
and stop acting so crazy!”

Just make my Cherokee heart sing
while my lips burn up these strings and smoke signals to the nation.

Have you ever seen music on a parachute in boot camp?
Have you ever seen guitar string dental floss after a hearty meal?
Your service is to love and not to fight.

Make yourself comfortable in a living room of passion and desires burning bright
cuddle the cosmic flame of winter
Your blood still ignites the hearts and minds of lovers and prophets
in a time where hearts are broken and prophecies are false
your rhythm is true.

The Blues have always been American

As American as Vie’s apple pie
Moorish Nobility
Hogan’s Alley Aristocracy
Grand Prince of the African Methodist Episcopalean Fountain Chapel of Empress Zenora
Ross Hendrix is petitioning to be a Canadian citizen
because Vanrock is the preferred city to be living in.
Seattle serves as a suitable port of entry
and somewhere in this experience
an Indigo Kushite child is dressed in Royal Purple
flipping and restringing a right-handed Fender Strat over discarded military arms
sweating lighter fluid
and spitting
Fire.


Published by admin, on January 31st, 2011 at 11:26 am. Filled under: Poetry. | No Comments |

BeDRoCC Poetry

Series Name: BeDRoCC Poetry

Frequency: 6 times per year (4 qualifying slams, 1 finals night, 1 theme slam)

Venues & Addresses: Havana Theatre (1212 Commercial Drive); Calabash Bistro (428 Carrall Street); Nyala Restaurant (4148 Main Street); Raw Canvas (1046 Hamilton Street).

Online Presence: http://www.facebook.com/blackdotcollective

Description of regular season:
December 15 – Pan American Slam (Havana); January 17 MLK Day Slam (Calabash); February 20th – Pan African Slam (Nyala); March 20th – Selassie I Slam (Nyala); April 17 (Nyala) – BeDRoCC Poetry Slam Finals Night (Raw Canvas); May 17 – Malcolm X Day Slam (Calabash)

Regular season slams will be two rounds of 3 minute poems; the second round poets are the top half from the first round to a maximum of 13 poets. For 14 and more, the second round will be 6 poets. First place wins $20 and a place in the finals, Second place wins $10 and a place in the finals, Third place wins $5 and an opportunity to place in finals based on their season scores.

A Poetry Slam is a Spoken Word Competition that is judged by audience members. At the BeDRoCC Poetry slam, poets have 3 minutes to perform their own original work with no props, music nor costumes. ALL styles of spoken word & Performance are welcome. The Black Dot Roots & Culture Collective respects the oral tradition in all its forms and encourages Participation on the open mic /open stage for all artists to and express creatively and free of judgment.
“The point is not the points,
the point is the poetry.”
Knowledge is power so please speak responsibly.

Playoff qualification format: The top 12 finishers from the regular season qualify for finals night. Winners of slams automatically qualify for finals night. Second Place finishers of slams automatically qualify for finals night. Highest scoring finishers during the regular season qualify for the remaining four spots for a total of twelve qualified for finals night.

Playoff Format: The top 12 finishers from the regular season will compete in a 3 round finals night format in which the top 6 are determined by score after the first round, and the top four poets will be selected to the BeDRoCC Poetry Slam team based on their cumulative finals nights scores through three rounds.


Published by admin, on December 9th, 2010 at 2:36 pm. Filled under: Poetry. Tags: | No Comments |

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Published by admin, on December 5th, 2010 at 8:08 pm. Filled under: Poetry. | 1 Comment |